Wedding Sewing

When my son proposed last year at Maywood Christian Camp during our camp week, I knew I had a year to prepare.  I was hoping the bride would ask me to smock the flower girl dress and of course a quilt!  

A flower girl dress was needed for the outdoor, country-style wedding so after collaboration, we decided on a back- buttoned bishop made in white broadcloth.  I would use her peach, blue and yellow color theme for the smocking and embelish it with cast on daisies in the same colorway.  

I chose the buttons first, then matched DMC thread to the buttons.

Here is a look as it hangs (should have put a darker background behind it) prior to giving it to her to try on.  I also used a growth ring on the hem.  Not only does it provide extra length for later, but it is an EASY way to hem by machine without it looking like it!

I used mini rick rack in blue as trim on the angel wings.  The trick to this was to pleat the neckline first, leaving long quilting threads.  Flattening the sleeves completely, I was able to iron a 1/4 " double turned edge and used a blindstitch for hemming to attach the rick rack to make it appear to float off the edge of the sleeves.

She and my niece pose for the camera! (trying to keep her busy until time to walk down the aisle)

The flower girl was perfectly comfortable in her dress and boots as she spread petals on the burlap runway...

Handwork was done while watching tv and traveling and quilt designing started in the sewing studio during the day.

More wedding sewing in the next post .... the dog needs a wedding collar!

Always in stitches,

Renee

Oops no links

When I moved my website to blogger I didn't realize the links to the pictures would be closed. I'm slowly working on linking all the pictures to this site. Please bear with me as I make this transition. 

I've a busy summer with lots going on... Moving from one state to another (yay!! cliser to my children!!), Bible camp and my son's wedding. Not to mention all the sewing involved!!!  If you need help with any smocking tutorials or questions please feel free to email me. 

Renee

Ney Ney's very busy empty nest!

( they are never REALLY empty are they???)

Cross Christening Gown

I hope you are having a Happy Easter!  I've been waiting to share a project I helped a student smock and then I constructed.  Her first grand baby was baptized this weekend, so now I can finally share the pictures!!!!


We first met and scoured through pages of Sew Beautiful to brainstorm and come up with a plan for her christening gown.  Since she wanted to be able to let more than one grandchild wear it and create an heirloom appropriate for either a little boy or little girl, we decided to keep the color neutral as well as any "frills".  Although we both know that lace is appropriate in either gender's christening gown, her menfolk though differently.

The cross and trinity was to be the theme of the gown, so I located some Swiss embroidery with the trinity circles and cross.  Since the only color is came in was white, and we had chosen ivory sateen batiste, I tea-dyed it.  (See this blog post Tea Staining For a Vintage Look)

In order to have the sleeves set with the tea stained insertion, I had to sew in the insertion prior to pleating.  I used a twin needle to make the pin tucks above and below the line of insertion.

In choosing a template, we liked various elements of several templates, so we merged them together to come up with an original smocked gown.  She wanted to have a "cross" theme representing the trinity.  I pleated ivory sateen batiste and together we blocked it into a bishop styled dress.  

After Brenda, my student, completed the smocking, I began the remaining construction.  More pin tucks and insertion made antiqued with the tea stained technique I blogged on earlier. ( Let me state that I did ALL the tea staining at the same time so it would all match)

Next came the ruffle at the bottom of the skirt that was also Swiss edging with the trinity/cross theme that had been tea dyed with all the other insertion.  It was gathered and attached with entredeux that had been thrown in the tea pot (LITERALLY)with all the other insertions.

The dress was finished with a self placket and cast on loops over antique mother of pearl buttons I scooped up at an antique store in Birmingham, AL on an excursion one day with my daughter. 

(Antique Excursion blogpost)

Brenda had the idea to add a monogram with her granddaughter's initials and birthdate on the ruffle.  We ARE Southern, after all!  What Southern girl wouldn't have her monogram on her garment?????

Finally completed and ready for a picture!

It looks even better on it's proud, little owner on this Easter weekend!

Sweet Georgia peach blossoms and sweetness in her christening gown!

Sew It Goes!

Renee

"Spring Smock-Along"-Picture Smocking Part 1

PICTURE SMOCKING TUTORIAL PART 1 Blocking
Spring brings not only flowers outdoors, but a desire to sew and smock all kinds of cute clothing!
I'm re-posting my series on smocking tutorials since I have changed blogging platforms and many of my links take you to ......nothing!!!  Now, you should be able to find the tutorials!!!!

Recently I have seen picture smocking on many facebook style auctions.  You know the ones I'm talking about?  Picture smocking requires "stacking" cable stitches to create a picture.  Since I loved to color as a child (you may still catch me coloring) picture smocking affords me to "color" with  thread.

Picture smocking can be done on bishops (around the neck and shoulders)

or an insert (inset) that is placed into a garment.

To begin, select one of many picture smocking "plates" (short for template) available from many designers, available online or from specialty sewing stores.

Then have your 100% cotton fabric pleated with the number of rows required for your intended project.  I prefer the stability of broadcloth for picture smocking.

PICTURE PER REQUEST OF SMOCKING DESIGNER

For my  selection, I need 9 rows of gathering threads pleated.  Always make sure you have a "holding row" at the top and bottom of your insert.  Then you have the actual rows that make the picture smocking.  My pattern has an "H" for holding on the very top row and the row 9 serves as the second "holding row".

PICTURE REMOVED PER REQUEST OF SMOCKING DESIGNER


"Blocking" your insert is required prior to smocking to insure the piece will fit into your garment correctly!  You don't want to spend the time it takes to smock only to discover the insert has been squeezed tightly by your stitches and is too little to be sewn into your garment.:(

Next, scrunch all the pleats over to the left hand side (make sure there is a knot holding all the threads together)  pulling on the top and bottom of the insert to "straighten" any puckers.  Hold your steam iron over the insert and steam the pleats.  DO NOT IRON THE PLEATS!!!  Let this dry.

You need to make sure you're smocking on the "right" side of the insert.  Since broadcloth is essentially the same on both sides this doesn't create a problem with the fabric.  However, there is a "right" and "wrong" side to the pleating.  In order to stitch into each pleat while smocking you want as much of the pleat to be above the gathering thread as possible.  So....look at both sides of your insert.  The stitches that are longest are on the wrong side.  "Wrong is Long"  Notice that on the pleats, there is little room to take a "bite" of fabric with your needle while smocking.

Notice here that the stitches are shorter and therefore, this is the "right" side.  The pleats give you more room to take a stitch when pulled together.

After the insert is completely dry, you are ready to pull the gathering threads from the left side away from the fabric and snip off the knot.

I use the blocking board that can be purchased from Martha Pullen's website.  When I first started smocking, however, I used a bulletin board that had been covered with muslin and a grid that had been covered with contact paper.

Make sure to line up the left edge of the fabric so that it is square.  Secure with several pins.

Stretch the pleats out from the left side.

Measure the seam allowance.  My particular garment pattern requires 1 3/4 inch seam allowance in order for the insert to fit into the clothing I'm planning on making.  So I use a seam guide to find that width and notice which pleat lines up with that required 1 3/4 inch allowance.

Using a straight pin, (I've also used a seam ripper only to break my gathering threads so I don't suggest this method :( pull each row out gently along the same pleat all the way down the left side.  It should look like this....

Now you will take 2 of the tails and tie and overhand knot.

Using your right hand on the right side of the fabric, gently pull the top two gathering threads through the fabric until the first knot is "seated" right against the left first pleat.

This is a properly "seated" knot.  :)  Continue all the way down the left side.  If you have an odd number of rows (as I do in this particular design) just tie the last 3 together.  (When I pleat my inserts, I use one color-pink in this case- for the top holding row, all the smocked rows are orange and the bottom holding row is blue to help me while picture smocking)

Now it is time to count the pleats.  I use one color of (white) pins across the top of my insert and count out 10 pleats at a time and mark them with my pins.

Write this number down or put it into your handy cell phone calculator!

Look at your template to make sure you have enough pleats to cover the smocking design.

PICTURE REMOVED PER REQUEST OF SMOCKING DESIGNER

This particular design calls for a total of 162 pleats.  I have more than enough to cover that!  (I will use only the amount required since I'm making a small 6 mos size garment, if I make something bigger I like to leave extra pleats on each side to cover a larger chest area)

After dividing 162 pleats by 2 I get 81 which is the center of my smocking design.  So now I recount the white pins by 10's until I get to 80 then add the 1 pleat and mark it with a blue pin.  Take a safety pin and secure it on the center pleat.

  Determine the width your insert needs to be by consulting the pattern.  The pattern I'm using has a "blocking guide" to give me the width the insert needs to be to fit into the garment properly.

My project needs to be 12inches wide so I'll stretch out the right side of the insert on my board to the 12 inch mark.  Make sure that the edges are square and pin into place.

Repeat the measuring process used with the left side to determine where to pull out your gathering threads so you can tie off the right side. Since my project requires 162 pleats total, I'm going to be sure I have 81 pleats from center to right side in order to have enough pleats for my design. Do the same for your required number of pleats, depending on which smocking template you selected.   (As mentioned before, if you have extra on BOTH sides for a larger insert, it is ok unless it is too big for the blocking guide so refer to your pattern)  Again, I will use the 1 3/4 " seam allowance called for in my pattern.

Repeat the process for pulling out the threads up to the pleat at the end of your measurement.  Use a pin and go down the entire length of the pleat pulling out the gathering threads.
(see above pic like we did on the left side)

 Now remove all the white pins across the top of the insert and mark the center pleat top and bottom with a water soluble fabric pen.  Slide the pleats over gently using your fingernails or a wide toothed comb.  (Be careful if you have colored nail polish on!) Put your marked center of the insert in the middle of your measurement.  In my case 12 inches wide divided in half is 6, so I put my safety pinned center pleat on 6 inches.

Pin the insert at the top and bottom, making sure the center pleat is straight and squared.  Continue to adjust the pleats from the left side to the center .

Now it is time to tie off the right side.  I take a pin and secure it to the right side of the last pleat required for my design in between the first two gathering rows.  On the right side I tie a square knot using the pin for leverage to make sure I get the knot "seated" securely on the right side of that last pleat.

Continue down the right side in two's, remembering to tie an odd number of rows by using the tail of the gathering row above it.

I promise we are almost through!  Now give the gathering threads a "haircut" to about an inch within the knots on both sides.

The last step in the blocking process is to adjust the pleats with your fingernails getting them straight and no puckers, then spray starch the insert while it is still pinned to the board.

Let it dry completely and then you'll be ready to smock!
Join me on a  Spring Smock-along ---Part 2 coming next!
UPDATE:  PART 2:
https://neyneysnest.blogspot.com/2015/03/picture-smocking-tutorial-part-2.html

Smooth Smocking,

Renee

😉--updated 6/28/17 without the use of pictures using a particular smocking design that was removed at the request of the smocking designer.  Please comment if you have questions and I'll try to help!

A Gift for Grandma

I was digging around in my "hope chest" recently looking for my children's baby clothes to explore an idea of recreating some of them.  I found a gift that I had given to my grandma nearly 20 years ago.

I remember staying up late in the night in order to sew a gown for my ailing grandmother long after my babies were asleep and hubbie snored in his easy chair.  Since her favorite color was pink, I knew that it had to be made of pink batiste, loose and flowing, as I remembered seeing her in all her housedresses before her health began to fail.  I don't remember how many yards of entredeaux I sewed carefully zigzagging in each little hole to attach the lace.  The puffing was gathered and also zigzagged with great attention.  Flat lace was attached to flat lace and added in another row of entredeaux as well as the gathered gown front.  For embellishment I added a silk ribbon rose.

I always remember her being in "scuff" style slippers so I purchased pink slippers and added a puffed strip of pink batiste that I'd also attached entredeux and lace.  More silk ribbon roses to embelish the tops.

After her death, my aunt brought me a box and told me that grandma loved the gown and lovingly looked and touched the lace and silk flowers.  I didn't realize at the time she wouldn't be able to wear it but the stitches eased the pain in my heart and made me feel like I was helping her feel better.  

Stitching has always been an outlet for me.  Whether creative, therapeutic, or just to keep my hands busy while hubbie channel surfs.  It may be heirloom stitching, smocking or quilting.  No matter what fabrics are being created into a garment or a quilt, the many emotions felt while creating and memories of where you were and what you were doing in that stage of your life is shown in every stitch in that project.

I may just have to wear it myself...

Sending much love and many therapeutic  stitches,

Renee

Loving the Lexi Alpha

A couple of months ago I purchased the "Stripe Lexi" Font in 4,5,6 and 7" sizes from Embroidery Boutique and have fallen in love....

Several sweatshirts later.....

My daughter loves hers (she always gets the "trial" of the first stitch-out, thus the knowledge of not using the neck hole first :))

It stitches out beautifully regardless of the color combo.  Just remember to turn the design upside down and put on the machine through the bottom of the sweatshirt, NOT the neck!!!  Yes, I learned the hard way that the machine doesn't like that small opening and needs more space to move around in....

Happy stitches!

Renee

Tree of Life-An Anita Good Design Quilt Project

My last post I shared pictures and commentary from my parent's 50th anniversary.  The gift that my

siblings and I gave them was the "Tree of LIfe" machine embroidered quilt by Anita Good Design.

Leaves can be added after completion that have been embroidered with names of the members in the family making a very personalized quilt.

This was my first attempt at a quilt done on the embroidery machine.  I fell in love with the process so I thought I'd share it with you.  

Of course proper prepping is key to success although it can be quite boring.  I use my rotary cutter to cut muslin to a size that will fit into my embroidery hoop then cut Floriani's No Show Mesh to a size that is 1" larger than my planned block size. (The program comes with 4 sizes and your machine will dictate which size you can use)  My Brother PR600II will only support the 7x7 block using the largest hoop.

Next I cut my background fabric for the quilt into 8x8 squares. (this is 1" larger than the proposed block size to provide seam allowances)  Then I cut stabilizer for these blocks.  I first used Dream Weave but ran out before finishing all 70 blocks.  I found a pellon stabilizer at a local craft store that was much cheaper and gave the body I needed for all the stitching plus it was much cheaper!!  I also cut batting to an 8x8 square.

Now...to stitch ALL those blocks! 

 Some required more time than others depending on the stitch count.  I numbered my template (provided in the tutorial) and wrote the corresponding number on a piece of painter's tape with a sharpie and stuck that on the edge of the hoop until embroidery was completed.  This helped me keep from turning the hoop upside down after trimming the applique.  Once the embroidery was completed, I moved the tape to the center of the block and trimmed it to the required 1/2" seam allowance.

As you can see from the picture, this process puts all the quilt layers together with the applique.  A muslin and stabilizer layer(here I used the stabilizer in a larger piece but learned that it was wasteful and could make it an inch larger than the proposed block), batting, background fabric with stabilizer and then the actual applique and stitching.  After getting all 70 blocks done, I laid them in the floor in their proper positions. (This is where the taped numbers are really handy-you know the position in the quilt as well as which direction it goes).

Next I stitch each block into rows by following the stitching lines done while in the hoop.  (Do you see the block I goofed on by actually cutting on the stitching line rather than giving a seam allowance?  Mistakes happen but things still come together...I'm not perfect)

Then I stitch the rows together!

Now to add the backing!  I chose to use yardage that matched my appliqued flowers.  Since it was only 45 " wide, I had to piece it to be wide enough to cover the quilt.  I also planned on using it as a foldover binding so made sure there was enough fabric around the edges to do this technique.  I laid the backing fabric WRONG SIDE UP on the floor and taped it down.  I used adhesive spray lightly and I added an extra layer of batting here to give more body to the quilt since I knew it was going to be a wall hanging.  Slowly roll the batting over the area you just sprayed.  Spray the batting layer and repeat with the rolled up quilt.  I also pinned my quilt (didn't want any slipping) on each block.

The hardest part was handling the quilt while "stitching in the ditch".  It was REALLY heavy!!  I think I want a legit sewing table that allows my machine throat plate to be level with the table or purchase a plexiglass table to fit around it.  I used a monofilament thread to do the stitch in the ditch.  Starting on one end of the quilt, with the ends rolled (as in the pic) I did all the vertical stitches.  Rerolled and then did all the horizontal.  Start in the center of the quilt and work your way to the right then from the center to the left to help keep the backing fabric smooth.  Your left shoulder can be a great prop as the quilt moves forward!!!!

After finishing the stitch-in-the-ditch, trim the backing to the required width for a double foldover, and trim the batting flush with the quilt blocks.  I also added a label to the back as well as loops for hanging.

The quilt was a hit!  Even got a few tears of joy and appreciation!

Looking great in my parent's house!

Happy stitching!

Renee